ARBORHYTHM

Commisioned to coincide with the San Francisco Museum of Modern Art (SMOMA) Art of Noise exhibition, the sculture is positioned at the SMOMA entrance, with a distinct technicolour appearance contrasting with the muted palette of the museum's exterior.

Arborhythm's signature feature is its horn-shaped speakers, which invite visitors to experience a sonic landscape of remixed foghorn, ocean wave, cable car and sea lion recordings. "The AI-curated sounds are designed to provide a relaxing ambiance in the otherwise concrete-dominated environment of the museum's location."

The artist was inspired by the shapes of trees when designing the sculptures, which contain speakers transmitting sounds that reference the San Francisco Bay area.

"The sculpture's form, inspired by trees, symbolises a welcoming presence, while its colours draw from local objects, landmarks and natural surroundings, further anchoring it in the context of the city," Suzuki explains.

Suzuki's long-stemmed design also pays homage to attractions such as the Golden Gate Bridge, with its 'international orange' hue. Crafted from aluminium and steel, the painted sculptures are held in place with large circular bases that also function as seating.

"Aluminium was ideal for creating the trumpet-shaped horns due to its malleability, allowing for precise and intricate formations," Suzuki said. "Steel, on the other hand, was chosen for its durability and strength, ensuring the sculpture's longevity as a permanent installation."

Through the intersection of art and sound, Suzuki's Arborhythm aims to create a serene experience for the museum's visitors.

"I hope the audience discovers a sense of calm and connection within the installation, making it a place they want to return to and spend time in," he said. "The main takeaway is the fusion of art, sound, and community, creating a serene environment in the heart of the city."

Images courtesy of Myleen Hollero